![]() ![]() Students who have earned a minimum grade-point average of 3.500 to 3.699 are named to the Dean's List. It is with great pleasure that Southern New Hampshire University (SNHU) recognizes the following students' academic achievement in being named to the President and Dean's List for the Summer 2022 semester.įull-time students who have earned a minimum grade-point average of 3.700 and above are named to the President's List. Apex Art, Dramatic Risks, Loisaida Arts, Burchfield-Penney Arts Center. Tuition & Financial Aid Tuition & Financial Aid Collection contains files related to programs and events sponsored or supported. Jennifer regan burchfield penney art files series#She explored different compositional structures in her work, such as a series of Roman-inspired shrines, or utilizing Renaissance styles to depict contemporary subject matter. Throughout the vast majority of her artwork, Regan’s feminist perspectives shine through, especially in regard to narratives that focused on Genesis and depictions of ancient Greek vessels. When her artworks dealt with socio-political subject matter, she sometimes called her them “subversive stitchery.” She created many pieces depicting Boston, Massachusetts, and often paid homage to post-impressionists like Matisse, Rousseau, and Seurat. Many stitched narratives reveal Regan’s sense of humor through their playful imagery and language. ![]() Her artworks intertwine the Italian Renaissance, Freudian psychology, social issues, pop culture, religion and poetry to explore her changing role in society. Regan’s stitched narratives expanded beyond her personal emotional explorations to incorporate a broad multitude of influences and purposes. ![]() In total, Regan created over one hundred stitched narratives between 19, though the vast majority were created between 19. Regan soon revisited quiltmaking, but threaded in poetry and symbolism to create “stitched narratives”-these artworks were made to be displayed on walls rather than beds. Regan wrote poetry to narrate womanhood within the contexts of patriarchal power. She struggled with the loss of her married life and wide array of emotions, and turned to art to exhaust her anguish. In 1988 Ned and Jennifer Regan divorced, and Jennifer’s conception of herself in the world dramatically changed. Regan also worked actively with the Junior Group at the Albright-Knox Art Gallery. The same year, she edited a book of short stories with her dear friend Miriam Dow, entitled Invisible Enemies. In the late 1980s she conducted research for a book she authored entitled AMERICAN QUILTS: A Sample of Quilts and Their Stories,”published in 1989. In the 1960s, Jennifer Regan became well established as a writer in the Buffalo community she published poetry in numerous journals, and reviewed books for the Buffalo News. Regan, who later served as Erie County Executive and New York State Comptroller. Regan returned to Buffalo, getting her master’s degree from the University at Buffalo in English literature. In 1956, Jennifer Regan graduated from Smith College, in Northampton, Massachusetts. The Burchfield Penney offers this biographical sketch of the artist:īorn in 1934, Jennifer Regan was raised in Orchard Park. This piece is Long Live the King, the King Is Dead. A show of her quiltwork, titled S alvaged: The Stitched Narrative of Jennifer Regan, opens Friday, September 14, 5:30-7:30pm, at the Burchfield Penney Art Center. JENNIFER REGAN was a writer and visual artist. ![]()
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